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Discover and Celebrate the Bliss of the Artists and Artisans of the Toe River Valley: Spruce Pine Area
Click on each of the following links to learn
more about the amazing Toe River area:
Toe River Artists: Bakersville
Toe River Artists: Burnsville
Toe River Artists: Celo
Toe River Artists: Penland
Toe River Dining
Toe River Galleries & Tours
Toe River Art & Craft Schools, Workshops
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Rick and Valerie Beck
The Becks’ painted cylinders, bowls and large rondelles use the graal technique: the surface of the glass is painted with enamel in three layers. The graal is then encased in clear crystal, shaped and blown out.
".... The glasswork of artisans Rick and Valerie Beck is decidedly contemporary. While Rick sculpts the cast works, both Valerie and Rick create blown pieces. The blown works, which they create collaboratively, are familiar shapes with brightly colored contemporary patterns. 'Much of our work is about the repetitive patterns around us,' note the Becks. 'Patterns found in nature, such as the veins in a leaf, that are manmade, simple and complex, or even chaotic appeal to our sense of design. A thick graal shape is blown and annealed. After it has cooled, the surface is prepared and painted with glass enamels in three layers, firing to 300¼ between each layer. The graal is then picked up hot on the end of a blowpipe, gathered over, shaped and blown out.'..."
"...
Rick and Valerie Beck are former Penland residents and currently maintain a studio in Spruce Pine, NC. Their blown and painted glass is unmistakable for its vivid color and fluid shape. The layering techniques used in their glass platters and bowls are accomplished by both artists, separately as well as together working on the same piece of art work..." Gallery:Carlton Gallery, Foscoe.
Beecham White Glass
"... Much of Gary’s work has been heavily influenced by ancient glass, both in form and in technique. The ancients treated glass as a plastic gem material, a substance that could be colored, stretched, melted and carved by the maker. Gary has experimented with countless ways of manipulating glass involving blowing, fusing and cutting. Over his twenty-five year career, he has become well-known for heavy, thick-walled vessels. For the imagery in these pieces, he first makes up a wide palette of colored overlay rods. Some pieces contain textile patterns that are then introduced into the crystal glass piece as it is being blown, creating the illusion of glass “fabric” floating in the bowl of the vessel, often with a second or third pattern appearing on one of the vessel’s reflecting surfaces. Others, incorporating complex millifiori, are formed into mosaics of brilliant color. The imagery of these pieces has been suggested by influences as divergent as astronomical forms, undersea creatures and figures from a Persian rug. Gary’s work is shown and appreciated internationally. He is represented in corporate and museum collections world-wide....."
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500 Glass Objects: A Celebration of Functional & Sculptural Glass "...I bought this book purely to marvel at the shapes, originality and astonishing colours achieved by the wonderful artists whoose work is contained within. Truly luscious pieces each and everyone. Not always functional but certainly inspiring...." Contains works by Gary Beecham, Valerie and Rick Beck, and other NC Glass Artists. |
Barbara Kahn
".... I teach classes and workshops in art, herbs, aromatherapy and calligraphy in several places in North Carolina.... My art is a reflection of my classical education, travels and postgraduate metaphysical studies. My style stems from a combination of my inner visions and outward beauty here in the Blue Ridge Mountains. My studio is in Little Switzerland, North Carolina.
...." Barbara's work can often be seen during the twice a year TRAC studio tours and her handmade cards can be purchased anytime at the Blue Moon Bookstore on Upper Street... a great place to drop in for some wonderful books and conversation with the ever-cheerful Sharon.
Joe Nielander
"... was quickly captured and enthralled with forming hot glass into beautiful pieces of art. He expanded his knowledge through summer sessions at Penland and apprentice work with Bill Slade... in 1985, he continued his studies at Penland School, where he became a Studio Coordinator for 4 years, an Artist in Residence for 3 years, then successfully transformed himself into a Teacher for 2 summer sessions and 1 concentration. Always looking for more new insights, he dedicated a summer at the Pilchuck School of Glass to spend a session studying with Diana Hobson. His thirst to learn more and hone his craft unquenched,... While studying under Joel Myers, his passion and commitment to constantly explore new possibilities with his chosen art form, and refine them to perfection, earned him an MFA degree in glass in 1994 .... His glass artwork continues to evolve over time, with significant shifts in styles and techniques evident over more than two decades of dedication to his craft.... he loves the water and has recreated the brilliance and beauty of illuminations on water in one of his current series of vases called Water Veils. He uses gem color brilliance inside thick layers of clear glass, manipulating them and letting them play off each other, and then permanently capturing the brilliant patterns that emulate soothing, rippling waters within stunning functional forms...." Nielander is a member of Southern Highland Guild, and can often be seen at their fair. Has also participated in the twice a year TRAC studio tour.
Galleries: Vitrum Gallery, Asheville; Somerhill Gallery, Chapell Hill; Red Sky Gallery, Charlotte; Courtyard Gallery, New Buffalo, MI; Lee Hansley Gallery, Raleigh
Some of the Festivals he's participated in: Main Street Art Fest,Worth; Coconut Grove Arts Festival;
Janet Taylor Studio
"...
is located in the small crafts community of Spruce Pine... the artist and designer, currently produces several lines of accent fabrics and fabric accessories. Ms. Taylor's designs can be found in many upscale homes throughout the country. Janet is presently working on a line of functional fabric accessories using a unique dye process. These limited edition or one-of-a-kind ties and scarves come in all sizes and have features such as hand printing and fine beading....Ms. Janet Taylor has been a recognized artist, speaker, and educator for more than three decades. Ms. Taylor's educational credits include a BFA from the Cleveland Institute of Art and an MFA from Syracuse University's School of Art. Upon receiving her degrees Ms. Taylor simultaneously began a career in teaching and a career as an exhibiting artist.... In 2000 Ms. Taylor concluded her 24-year tenure at ASU where she is now Professor Emerita. Ms. Taylor began exhibiting in 1969. ... Ms. Taylor's tapestries and other fiber arts have appeared in numerous publications and were the basis of a 1986 television program produced by KAET in Tempe, Arizona.... In 1990, Ms. Taylor stopped making and exhibiting tapestries and opened her studio. Upon her retirement from ASU, Ms. Taylor moved the studio to Penland, North Carolina. Ms. Taylor is currently serving the seventh year of an eight year appointment to the Board of Trustees at the Penland School of Crafts..." Ms. Taylor has also collaborated with such artists as Jane Peiser and jewelery designer Nancy Fleming. Her work may be seen and purchased at the Ariel Gallery, Asheville's contemporary craft collective. Her work can also be seen and purchased during the twice a year TRAC studio tour.
Browse AshevilleBliss.com's Bookstore
Discover the Bliss of These
Spruce Pine Related Books |
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My daughter and I thoroughly enjoyed this book. It not only captures the attention of a five year old but reminds a parent of what christmas is all about. It beautifully speaks of love,family, sacrifice and community. The illustrations are wondrous and make you feel as though you are there. This is a gather around the fireplace and christmas tree read. Reading this story will make you count your blessings and hug everyone in your family a little tighter this year. |
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Historic Photos from Beech Mountain Community of Avery County "... W.R. Trivett (1884-1966), a farmer born in Watauga County, North Carolina, was also a self-taught professional photographer who left behind an invaluable collection of over 400 glass plate negatives taken between 1907 and the late 1940s in the Beech Mountain community of neighboring Avery County. Along with the photographs (over 90 of which are reproduced herein), a collection of Trivett's personal papers survive, revealing very enlightening information about his life in the mountains.... Through Trivett's images we can, by contrast, see the everyday reality for most people in rural Appalachia...." |
Click on each of the dozens of categories to the left to uncover what makes the Asheville area so vital, so intriguing and so, well, UTTERLY BLISSFUL!
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Harvey Littleton
Pressing Matters in Printmaking
Saturday, January 19th, 2008 - Sunday, May 18th, 2008 ...
in the main gallery of the Folk Art Center on the Blue Ridge Parkway in Asheville
".....Beginning January 19th, the Folk Art Center main gallery will host Pressing Matters in Printmaking, an international, invitational exhibition representing the work of nearly 50 artists using various printmaking techniques.... The most well known contributors to Pressing Matters in Printmaking are probably Harvey Littleton, the father of the Studio Glass Movement, and his world famous student, Dale Chihuly. The show features several of their vitreographs which are prints made from a glass matrix. Each artist’s work is characterized by bold color, shape and innovation. Near the entrance of the gallery visitors can learn more about this modern printmaking process by watching the video, Luminous Impressions. The video and many of the vitreographs in the exhibition were provided by Littleton Studios of Spruce Pine, NC...."
Harvey Littleton "Father of
Studio Glass Movement"
Harvey K. Littleton, is the "father of the Studio Glass Movement". Harvey K. Littleton was born June 14, 1922 in Corning New York, the son of a Corning Glassworks physicist. Graduating from Cranbrook Academy of Arts in Bloomfield Hills, Michigan with a Masters of Fine Arts, LIttleton embarked on a career which won him national recognition as a ceramicist. In 1959, while employed as a ceramics teacher at the University of Wisconsin. he began melting glass in a crude home-made furnace, casting small forms and blowing his first bubbles. In the summer of 1962 Littleton lead a glassblowing workshop at the behest of the Toledo Museum of Art where he demonstrated that glass was not the sole province of the glass industry where master glass designers customarily worked in tandem with skilled craftsmen, but could be melted and worked in a home studio by an artist who was in control of the entire process. Later that year, he began offering off-campus glassblowing classes in his Madison Wisconsin farm studio.
1n 1963, Littleton established a graduate course at a university-based glass studio which drew such students as Dale Chihuly and Marvin Lipofsky. That same year, Littleton's glass work was recognized with a solo exhibit at the Art Institute of Chicago. In 1964 he was honored with a solo exhibit at New York's Museum of Contemporary Crafts. From there, widespread success and recognition rapidly followed, with Littleton's work being acquired by such prestigious collections as American Craft Museum, Cooper Hewitt National Museum of Design, Smithsonian Institution, Corning Museum of Glass, Metropolitan Museum of Art, Museum of Modern Art, Renwick Gallery, Smithsonian Institution,The White House, and many, many others.
In 1976 Littleton retired from teaching to devote his time fully to his work. He moved to Spruce Pine, where he set up the Littleton Glass Studio and produced his most technically demanding and beautiful series of studio glass works and began experimenting with vitreography, a process he had begun in 1974. In the mid-1980's, Littleton brought painters to his Spruce Pine Studio to work with his master printers to create vitreographs. Over time, many other artists, including potters and glass artists arrived in Spruce Pine to experiment with this new medium. Many of these vitreographs can be purchased from The Littleton Collection.
Photos of Littleton Studios, circa 1998
"... Pioneered by glass artist Harvey K. Littleton in 1974, vitreography, prints from a glass matrix, has been the focus of Littleton Studios since 1981. In May 1998, Karin Schminke, Bonny Lhotka and Dorothy Simpson Krause spent two weeks working with the Littleton staff and Judith O'Rourke, Master Printer, to integrate their new digital capabilities with vitreographic printmaking...."
Read the rest of the story at Digital Atleier
Kenneth Kerslake's description of Harvey Littleton's vitreograph technique
Maureen Littleton Gallery, Washington, DC;
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Discover the Bliss of Art Books |
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Setting Up Your Ceramic Studio "Take a photographic tour of 10 beautiful ceramics studios, and discover exactly how and why each workspace design so perfectly meets the artist's particular needs. Every ceramist will find inspiration in Michael Sherrill's spacious and adaptable studio, so suited to his large-scale sculptures; Alice Munn's intimate and tidy atelier; and Ben Owen III's highly organized layout, arranged for volumes of production work and with a separate gallery."
Features studios of Toe River Valley ceramists: Suze Lindsy and Kent McLaughlin (Bakersville); Cynthia Bringle (Penland), and Becky Gray (Celo) |
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Highland Handcrafters: Appalachian Craftspeople is the captivating true story of both early and late immigrants to the Appalachian Mountains region and the wondrous handcrafts they have produced throughout the generations. Each profile of an individual includes a black-and-white photographs and a down-to-earth about the person's life and creations. Contemporary profiles include: Bill Brown, Metal Sculptor; Paige Davis, Metal Smith; Judson Guerard, Glassblower; Thom Kittredge and Yvonne Hegney:Potters... plus others. |
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500 Glass Objects: A Celebration of Functional & Sculptural Glass "...I bought this book purely to marvel at the shapes, originality and astonishing colours achieved by the wonderful artists whoose work is contained within. Truly luscious pieces each and everyone. Not always functional but certainly inspiring...." Contains works by Gary Beecham, Valerie and Rick Beck, and other NC Glass Artists. |
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Handcrafted in the Blue Ridge Western North Carolina is fast becoming known as the Santa Fe of the east coast. Here, tucked into the hills and at the end of dirt roads, skilled American artists and artisans are producing crafts of rare beauty and striking originality. Come visit the studios and galleries of over 150 weavers, jewelers, glass blowers, potters and wood carvers. The book includes practical information about each studio, including directions, address and phone number, hours of operation, and LISTPRICE range, as well as information about local lodging. |
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The Nature of Craft and the Penland Experience "... In honor of its 75th birthday, Penland has created a very special gift that celebrates its own history and that crafters will treasure forever. It is, first and foremost, a visual delight, with 137 images of pieces created by Penland instructors and shown at an anniversary exhibition. But the volume goes beyond the Penland School, with a series of original essays that offer a fresh and inclusive vision of the power of crafting. |
| Written primarily by those outside the field—including a Nobel Laureate chemist—who came to Penland and immersed themselves in the unique experience, these articles look at crafting from the perspective of the anthropologist, scientist, folklorist, sociologist, poet, cultural historian, and critic. Their thoughts prove provocative, highly personal, and unforgettable...." |
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The Potter's Eye: Art and Tradition in North Carolina Pottery Classic North Carolina stoneware pots--with their rich textures, monochromatic glazes, and minimal decoration--belong to one of America's most revered stoneware pottery traditions. In a lavishly illustrated celebration of that tradition, Mark Hewitt and Nancy Sweezy trace the history of North Carolina pottery from the nineteenth century to the present day. |
They demonstrate the intriguing historic and aesthetic relationships that link pots produced in North Carolina to pottery traditions in Europe and Asia, in New England, and in the neighboring state of South Carolina. With hundreds of color photographs highlighting the shapes and surfaces of carefully selected pots, The Potter's Eye honors the keen focus vernacular potters bring to their materials, tools, techniques, and history. It is an evocative guide for anyone interested in the art of North Carolina pottery and the aesthetic majesty of this resilient and long-standing tradition. |
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Turners and Burners: The Folk Pottery of North Carolina "... This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of "turners and burners" whose creations are much admired for their strength and beauty. Perhaps no other state possesses such an active and extensive ceramic heritage, and one that is entirely continuous. This book is an attempt to understand both the past and the present, the now largely vanished world of the folk potter and the continuing achievements of his descendants...." |
The best book I have ever read on folk pottery.
Warren E. Roberts, Journal of Folklore Research
Turners and Burners makes an enormous contribution to the study of North Carolina folklife. . . . North Carolinians, rejoice! North Carolina Folklore Journal
An excellent book to read if you are interested in North Carolina, American ceramics, folk life, or general craft practices. Winterthur Portfolio
Turners and Burners brings the simple utilitarian wares of North Carolina into meaningful historical and cultural context. Journal of American Folklore |
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North Carolina Pottery: The Collection of the Mint Museums "...If you have the slightest interest in North Carolina's unique pottery tradition, this book provides a lavishly illustrated catalog of the collection of the Mint Museums of Charlotte, NC. Each potter's biography, genealogy and work history is included with an example of the work of each. There are essays by pottery experts to explain the background on various types of pottery, techniques, locations, etc., as well as the history of pottery making in North Carolina...". |
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The Art of Buying Art "... For anyone leery of investing in art, anyone interested in starting collecting, and anyone simply interested in learning more about contemporary art, Ms. West's book is essential. "Buying Art" is well written, engaging and very informative and will make you a much more knowledgeable and shrewd collector...." |
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