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Discover and Celebrate the Bliss of the Artists and Artisans of the Toe River Valley: Celo
Click on each of the following links to learn
more about the amazing Toe River area:
Toe River Artists: Bakersville
Toe River Artists: Burnsville
Toe River Artists: Penland
Toe River Artists: Spruce Pine
Toe River Galleries & Tours
Toe River Dining
Toe River Art & Craft Schools, Workshops
Where to Stay in the Toe River area
What to See and Do in the Toe River area
About Celo Community:
Intentional Communities
Take Highway 19E east out of Burnsville and turn right onto Highway 80 South with will wind through Micaville toward Mount Mitchell and in about seven miles or so, you will come across a small intentional community known as Celo. Here, either as members of the community, or as nearby neighbors, live some of Western North Carolina's most accomplished and collected artists and artisans.
The Glass Artists of the Celo Area
William and
Katherine Bernstein
"... accepted Artist in Residence positions at the Penland School of Crafts... After two years they moved to nearby Celo, North Carolina with their newborn son, Josh. They moved into a log cabin, planted a garden, and set up a studio in Celo Community, a land trust located on.... In 1971, Billy, together with glass pioneers Mark Peiser and Fritz Dreisbach took part in planning and hosting the first meeting of the Glass Arts Society.... In the mid 1970's glass master and educator Harvey Littleton moved nearby and quickly took an interest in the young artist's work... By the 80's both artists had established themselves as major forces in the glass world, but to keep their studio running they needed a steady flow of sales which eventually brought them together on a line of goblets and tableware. Katie supplied the imagery with melted glass colored rods, and Billy formed the result into a vessel. This combination proved very popular and received wide recognition in design journals and magazines. They continue to produce these pieces today...." Members, Ariel Gallery, Asheville's contemporary craft collective. Some of their glass can be purchased through The Guild's Artful Home.
Rob Levin
Rob Levin is a glass artist who works in three distinctly different styles of blown glass and mixed media glass sculpture. "... Robert Levin is an internationally known glass artist.... He was formerly the Resident Glass Artist at Penland School of Crafts, and has lectured, taught, and led workshops throughout the US and in New Zealand. He has exhibited widely in the US, Europe, Japan, and the former Soviet Union. His work is in numerous public and private collections, including the Corning Museum of Glass, the Museum of American Glass, the High Museum in Atlanta, the Contemporary Glass Museum in Madrid, the Ebeltoft Glasmuseum in Denmark, and the Great Synagogue of Jerusalem. Rob Levin has received a Southern Arts Federation/NEA Visual Arts Fellowship, two North Carolina Arts Council Fellowships, and a NC Arts Council Project Grant. For nine years he created the NC Governor's Entrepreneurial Schools Awards. He has twice created the NC Governor's Business Awards in Arts and Humanities, and has also made works which have been presented to visiting dignitaries to our state. His work has been featured in magazines such as American Craft, New Zealand Crafts, Craft Arts International, New Glass Review, as well as in books such as An Introduction to Visual Literacy, Contemporary American Craft Art, Contemporary Glass, and Masterpieces of American Glass. He is included in Who's Who in American Art, The Dictionary of International Biography, and Who's Who in America...." He is represented locally by Blue Spiral 1 Gallery in Asheville, as well as by Penland Gallery, He is usually a participant in the semi-annual TRAC studio tour.
Kenny Pieper
" .... raised in the mountains of North Carolina. He began his craft career in high school when he studied at the Penland School of Crafts. Initially, he studied pottery with Norm Schulman and Cynthia Bringle. Later, he found his passion for glass under the tutelage of Richard Ritter. After high school, Kenny moved to Detroit under scholarship at the Center for Creative Studies; he subsequently received his B.F.A. from California College of Art and Design, Oakland, CA. he then spent 16 years working as a glassblower in the San Francisco East Bay area. Kenny’s career came full circle when he left California and moved back to North Carolina. While constructing a studio there, He worked at Penland School and managed the glassblowing and lampworking studios. It was during this fruitful time that he developed his expertise in the tradition of Italian glass. Kenny now resides in the beautiful mountains of North Carolina. Reflecting the harmony and beauty of his surroundings, Kenny produces an exquisite line of glass vessels and sculpture..."
"... Pieper uses the same techniques as master glassblowers used centuries ago. In his Primavera series, he plunges a hot bubble of colored glass into water that contains the raw chemicals of glass. This results in a web-like crackle pattern. He also experiments with a variety of chemicals, melting and mixing his own colors which are a rare palette of vibrant red and gold.... " Virtual Gallery is The Guild's Artful Home Also represented by Blue Spiral 1, Asheville:
David Wilson
A studio artist specializing in neon/hot glass hybrid. 
An interesting article by Jacob Fishman from the '90's showing David at work: "... Recently I had the pleasure of working with David Wilson, a glass blower working in furnace blown glass. At David's studio we made tubing for neon. Tubing that was truly spectacular just by itself. His tubing had stripes, spots, and different textures. I had tried hand pulled tubing in the past, but nothing like this. The best part was David's glass was easily workable in my neon shop fires and it was compatible to commercial tubing and electrodes..." See also Lightwriter's Glass Studio homepage.
Article in Carolina Arts says "... David Wilson had a dozen years experience in glassblowing before he entered the world of neon art and combined the two mediums. That shift in his work came in 1993, Patterson observes, when Wilson assisted Jacob Fishman in leading the first neon-working session at Penland. "Since then," Patterson declares, "he has developed an array of dazzling special effects that he used in his work and shares with other glass and neon artists. Working with neon and other gases - including argon, krypton, and xenon - has enabled him to fill his blown glass forms with glowing, colored, animated light... His neon plasma sculptures are electrical arcs... constantly in motion, wriggling like countless miniature lightning bolts....." David is a frequent Penland Instructor (During the Fall 2007 Concentration, David Smith & David Wilson taught Pushing the Neon Envelope "... This class will go all out with neon. With the entire Penland glass shop at our disposal we will explore conventional and unconventional neon techniques, with an emphasis on sculpture. In the hot shop we will cover blowing vessels, pulling tubing, and more. In the neon studio, we will fill these tubes and vessels with electrified gases to create both still and animated lights. An array of techniques and a small parade of guest artists will help take us to the neon frontier. The eight-week format will allow us to pursue ideas from concept to completion. All levels...") David Willson was a past president of the Toe River Arts Council (2003-2004). Galleries: Twisted Laurel Gallery in Spruce Pine; Penland Gallery, Penland His neon exhibitions: Museum of Neon Art (Los Angeles), four GAS conferences, University of California/San Diego. See also Spruce Pine Batch Company and Glo-Glass
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Susan Hayden
Award-winning folk artist Susan Hayden makes birds and bird houses and even people houses out of recycled materials ".... I take the pieces that you throw away or that you sell at a flea maket or that you scrap or toss in the garbage and they become my craft supplies. I love folk art and other artists who work with found materials. I buy vintage whirligigs and locally made art. It's everywhere in my home. My ultimate commitment to recycling shows with the house I had built. I collected the doors and windows since 1981 and built in the mountains of North Carolina in 1998 on the South Toe River. Out of some necessity but mostly as a challenge I did the finish work out of broken pottery, broken tiles and glass pieces in the bathroom, shower, mantle and kitchen counter. Cabinets in the kitchen and living room I covered with bottle caps and I have enough caps to cover the entire floor in this 480+ square foot home.... I'm looking for a location that I can work and have an area to display my work and a few friends. A folk art gallery would fit in really well with the galleries we have here. I love the work of self taught artists, outsider artists and anyone who's interested in working with recycled materials...." CLICK HERE for a virtual tour of Susan's studio/workshop and then CLICK HERE for a virtual tour of her cool house... then CHECK OUT her porch!
You can see and buy Susan's work during the twice-a-year TRAC Studio Tour and at the exhibits at the two Toe River Art Galleries which accompany each tour or by contacting her via her website. She also exhibits at the annual TRAC members show, where she's been known to walk off with 'best of show' award.
Becky Gray Ceramic Sculpture
"... The figurative sculptures of ceramist Becky Gray provide a quiet place where one may reflect upon the narrative possibilities of the human condition. Her works are hand-built and she uses thrown forms, extrusions, coils, and slabs combined in different ways to create pieces that are sculptural and often ceremonial in nature. The pieces are raku-fired with light reduction, generally sprayed with water and then put in to hardwood sawdust to cool. The result is an aged, often stone-like or metallic appearance. Gray tries to see and honor that of the spirit in all things and people. She greatly admires the work of ancient and primitive artists and hopes that her own work has a similar ability to share with those who encounter it now or a thousand years from now the joys and struggles of being human. ..."On the twice-a-year TRAC Studio Tour, Becky Gray's ceramic studio where her delightful clay figures are created is definitely a "must see". Gray has remarked that she is keenly aware of the social aspect of the tour.
"It´s not just going around to buy things," she explained. "It´s more like a reunion: People who met on the tour years ago get together again each year. Some of them bring swimsuits or kayaks and picnic down at the river." Becky Gray's sunny ceramic studio, with some of its heat supplied by antique windows salvaged from historic structures, is featured in the Lark Book Setting Up Your Ceramic Studio (you can preview for free here). Gray was also a contributing artist to Kathy Triplett's Handbuilt Ceramics. Her figurative clay sculptures are widely collected.
Becky Gray's Ceramic Studio
Featured. Contributes to Handbuilt Book |
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Setting Up Your Ceramic Studio "Take a photographic tour of 10 beautiful ceramics studios, and discover exactly how and why each workspace design so perfectly meets the artist's particular needs. Every ceramist will find inspiration in Michael Sherrill's spacious and adaptable studio, so suited to his large-scale sculptures; Alice Munn's intimate and tidy atelier; and Ben Owen III's highly organized layout, arranged for volumes of production work and with a separate gallery."
Features studios of Toe River Valley ceramists: Suze Lindsy and Kent McLaughlin (Bakersville); Cynthia Bringle (Penland), and Becky Gray (Celo) |
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"First, it contains a large collection (310 images) of beautiful color plates showing a huge variety of ceramic work in a wide variety of styles... It is the equal of any museum exhibition or juried ceramics show book I've seen. Secondly, it is an excellent basic-through-advanced 'encyclopedia' of handbuilt terms, techniques and materials written in a clear, unambiguous style with carefully photographed examples that clearly illustrate the topic being discussed.... And finally, the book contains a series of eight projects which serve to thoroughly introduce the basics of handbuilding with clear, 'how-to' photographs accompanying the text which serve to demonstrate exactly what is being talked about...."
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Robert Johnson
"...Artist Robert Johnson is a visual storyteller whose interests in sacred places and man's connection to the natural world are reflected in his rich works. Johnson spent the first fourteen years of his life in Caracas, Venezuela, where he was deeply affected by the abundant plant and animal life. As an adult he became intrigued with sacred places, such as Mt. Fuji in Japan, where people often visit not only to enjoy nature's beauty, but for spiritual renewal as well.... While Johnson's paintings depict the beauty and peace of "sacred places" such as Mt. Pisgah, he also documents the impact that human beings have had on the land. "I observed that the need for preservation is under constant pressure created by the drive for development," he says. "It saddens me that so many financial and human resources are required simply to maintain these tiny remnants of once great ecosystems."
An article by Arnold Wengrow in the December 7th 2007 edition of the Asheville Citizen Times on the occasion of his New Zealand exhibit says"...But Johnson’s landscapes are also wildly imaginative inventions of scenes never observed in nature. In his pictures, plant stalks loom as big as trees. Mountains, sea and forests that are miles apart appear side by side. An owl towers over the tree it sits in. This, Johnson might be saying, is how far-off places look in dreams when we come back home. His world is a place of magical realism recalling Henri Rousseau and Marc Chagall. It’s clear he’s a naturalist.The son of an oil geologist who took him on expeditions to Venezuela, Johnson has an environmentalist’s reverence for unspoiled wilderness. He has painted the coast, sandhills and mountains of North Carolina in a distinctive style that mixes techniques from medieval art, Indian miniatures and sacred Tibetan Thangka paintings. Johnson’s artistic journeys have taken him to India, Nepal, Bali, Ecuador and Panama. Now the artist, who lives in the Celo community in Yancey County, has returned from a three-month expedition to New Zealand. It’s a country, he says, that 'evolved quite separately from all other parts of the world.'..." Robert Johnson's extraordinary and highly collectible paintings are frequently in solo exhibitions at Blue Spiral 1 Gallery, where they can always be purchased.
An article in Mountain Xpress describes how Robert Johnson uses sketches in a sketchbook as an prelude to his paintings (page from his sketchbook to right). Robert will be teaching a course at the Penland School of Crafts June 22 to July 4, 2008: -Nature Journaling: Art for Nature Freaks "Nature journaling is a powerful tool for connecting with the world around us, and it can inspire work in any medium. This class will travel to some of the most beautiful spots in the North Carolina mountains where we will observe and record what we find using Robert Johnson’s unique pencil and watercolor journaling method. No previous experience necessary; all that is needed is curiosity, a love of nature, and a good pair of hiking boots. All levels."
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Tzadi Turrou
"...designs and crafts colorful tiles from small decorative tiles to larger architectural pieces. She has developed her formula for a black wax resist line of tiles crucial to her “cuerda seca” technique. The glazed "cuerda seca" technique involves silk screening and wax-resist lines on the already-fired clay.
Her small tiles are ideal for trivets or wall hangings. Many of her larger pieces are designed as she works with architects specializing in custom homes. Tzadi became interested in the arts while attending the American College in Paris... moved on to Arizona where she was involved in organizing demonstrations of raku and wheel-throwing clay to the public. This is where she became interested in tiles and discovered the “cuerda seca” technique. She also engaged in collaborative work with other artists.
Her work is available at her home studio as well as many large ceramic dealers throughout the United States. Her tiles are in the Stickley Museum Shops in Parsipanny, NJ; Gallery of the Mountains at the Grove Park Inn in Asheville, NC; The Crimson Laurel Gallery in Bakersville, NC; and Hands Gallery in Boone, NC. ..." She is usually a participant in the semi-annual TRAC studio tour.
Bobby Wells
"... Textiles were my first love. For thirty years I explored the medium. I was fascinated with the endless possibilities for pattern, texture, and complexity. So that when, twelve years ago, I found a book on polymer clay, I was again impressed by the infinite possibilities of this new medium. I picked up the thread of fine pattern that had attracted me to textiles. Milliefiore is a Venetian glassblowing term meaning a thousand flowers. I use this same technique, combining colorful rods of clay to achieve an intricate pattern. I make this into a cane, or log, which can be sliced and applied to flat sheets of clay. Cutting up these sheets of patterned clay, I make tiles and jewelry of great detail. The tiles go into the borders on my altarpieces. Gold and bronze leaf give luster and contrast to the patterns. I achieve the Ikat look by alternating strips of patterned sheets with strips of gold leaf sheets. When I wedge them together and apply pressure, the result is a fuzzy, striped pattern, resembling Ikat textiles found in Guatemala and Indonesia. The results are colorful and detailed, especially with the addition of semi-precious stones. Through the Ikat technique I come full circle to my original interest in textiles...."She is usually a participant in the semi-annual TRAC studio tour. Has exhibited at the Wooden Stone gallery in Davidson, NC. Is an exhibiting member of the Piedmont Craftsmen, and the Southern Highland Guild.
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